Previous exhibition

No Man is an Island - The Satanic Verses

28/10/2018 28/10/2018

Politiken

Århus Stiftstidende

Berlingske

Location

ARoS

Price

Free with annual pass or after paid admission

About the exhibition

Boy in a cramped space, Bjørn Nørgaard's The Horse Sacrifice in a new staging and a Lamborghini that needs scratching. A new group exhibition at ARoS focuses on our contemporary world and challenges our thoughts about Europe.

The exhibition No Man is an Island - The Satanic Verses presents works from ARoS' collection and loans of significant deposited works. The exhibition presents carefully selected installations by a number of international artists. No Man is an Island - The Satanic Verses can be seen as a follow-up to Out Of The Darkness, which was museum director Erlend G. Høyersten's first staging of works from the museum's collection.

Among other things, the exhibition focuses on people's right to think differently, on a Europe in motion and on the challenges we are experiencing in relation to our view of humanity and values - as individuals and groups. The title of the exhibition refers to these topics and also points to literature and Salman Rushdie's The Satanic Verses, which has become a symbol of the clash between free thought and orthodoxy.

The gallery and the artists

The scenography in the gallery is toned down, allowing each work to unfold and interact with the other works. The exhibition includes works by Ron Mueck, Tony Matelli, Bjørn Nørgaard, Andy Warhol, Shirin Neshat, Edward Kienholz, Rose Eken and selected young artists who have exhibited in the ARoS FOCUS//NEW NORDIC series over the past two years.

Artists and artworks

Edward Kienholz (1927 - 1994), Sawdy no. 46, 1971

Gardar Eide Einarsson (1976), Untitled (Flagwaste), 2015

E.B. Itso (1977), Clandestine Boat Cemetery, 2015

Jani Leinonen (1978), Beggars' Signs, 2009-2015

Shirin Neshat (1957), Zarin, 2005 (20:30 min.)

Elmgreen & Dragset (1961, 1969), Welcome, 2014

Ron Mueck (1958), Boy, 1999

Hanne Nielsen & Birgit Johnsen (1959, 1958), Camp Kitchen, 2014

Rose Eken (1976), Tableau, 2015

Bjørn Nørgaard (1947), The Horse Sacrifice, 1970

Tony Matelli (1971), Fucked (Couple), 2005

Andy Warhol (1928 - 1987) Electric Chair, 1971

Andy Warhol (1928 - 1987), Marilyn, 1964

Leonard Rickhard (1945) Scene after Sunset, 2008-09

Superflex, Bankrupt Banks, August 23, 2013, 2013

Dolk (1979), Low Key, 2016

Tracey Moffat, (1960), Revolution, 2008

Nick Theobald (1986), Nothing Left to Offer, 2014

Thorbjørn Lausten, (1945), Untitled Light Sculpture, 1985

Gilbert & George (1943, 1942), Resting, 1991

Wes Lang (1971), This Noble One, 2014

The exhibition is based on an idea by Erlend G. Høyersten and curated in collaboration with curators Erik Nørager Pedersen and Pernille Taagaard Dinesen.